The late Gabi Delgado collaborated over more than a decade with Marc Hurtado on songs that combined the former’s NeoSexi vocals with the latter’s techno sensibilities.
“Ich Träume Nur” is lifted from the new album, Neue Weltumfassende Resistance, that gathers many of the tracks into one place. There is a coherence to the songs that is surprising, given the time over which they were created. For many, it will just be great to hear Gabi’s voice again.

It also led to the reorganisation of DAF as the duo of Görl and Delgado. After Die Kleinen…, they clinched a contract with Virgin Records and forged a new, minimal sound. The rest of the band were out, and Miller was told only after the deal was done. It was a messy affair, but it led to a series of albums that set new templates for European electronic music. With only a sequencer, basic synths, a drum kit, and Delgado’s voice, DAF crafted a distinctive sound with songs that cut open the belly of punk. Görl’s drums and electronics steered a path between icy anthems and intimate tracks, avoiding the traps of both 4/4 dance music and pub rock, while Delgado purred and shouted slogans and sensual promises with equal intensity.
The new arrangement was successful, but it didn’t last. It couldn’t have lasted. After three albums in two years, all produced in Conny’s Studio, DAF pulled the plug. The passion that kept the music interesting also led to collisions that blew the partnership apart. They regrouped in 1986 for a dance-oriented album, 1st Step to Heaven, but the tensions kept resurfacing. Over the years, the fans pulled DAF back into the studio and onto the stage, but keeping the band together was a recurring challenge.
In the gaps between DAF projects, Görl continued to produce exceptional music. In 1983, after the first DAF split, Görl returned to Mute Records with the single, “Mit Dir.” That led to a further single and album produced by Mike Hedges, including a collaboration with Annie Lennox of Eurythmics. Görl had provided drums for the Eurythmics’ 1981 single, “Belinda,” which appeared on the Plank-produced album, In the Garden, and kept close to Lennox. Although critically well received, Night Full of Tension failed to ignite Görl’s solo career in the UK.
After the second DAF split, in 1987, Görl went off to study acting in New York; quickly finding himself expelled for having the wrong visa. On return to West Germany, he was picked up by the army, which wanted to know why he hadn’t completed his national service. Faced with the choice of joining the Bundeswehr or making music, Görl split for Paris, where he recorded demos in a suburban flat. He took them to London, where Daniel Miller recommended that he connect with the Canadian prog musician, Dee Long, who had set up as a Fairlight operator at George Martin’s AIR Studios. Long had previously worked with